
Peter and the Wolf
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1/7Critical Reception
Saint-Saëns initially forbade public performance or publication of The Carnival of the Animals, fearing criticism for its parodies of other composers' music, but it became an instant hit after his death.
Composition History
Camille Saint-Saëns composed The Carnival of the Animals in February 1886 to lift his spirits after a poorly received performance of his music in Berlin.
Compositional Technique
In Peter and the Wolf, characters are represented by specific instruments: the bird by a flute, the duck by an oboe, the cat by a clarinet, the grandfather by a bassoon, the wolf by three horns, and Peter by the string quartet.
Composition History
Alan Rawsthorne's Practical Cats, commissioned for a children's concert at the Edinburgh Festival, also contains musical jokes and allusions intended for a more knowledgeable adult audience.
Cultural Impact
Peter and the Wolf became a global success, translated into many languages, choreographed, staged, and even adapted by Disney.
Compositional Technique
The Carnival of the Animals includes musical parodies, such as a slow-motion can-can for tortoises and a plodding version of Berlioz's 'Dance of the Sylphs' for 'The Elephant'.
Composer's Artistic Vision
Sergei Prokofiev's Peter and the Wolf was created to introduce young audiences to orchestral instruments, with each character represented by a specific instrument or family of instruments.
















