The musical repertoire of Dutch Reformed churches in Sweelinck's time was dominated by the Genevan Psalter, a collection of 150 versified psalms initiated by church reformer John Calvin.
Compositional Technique
Sweelinck, a composer from the late 16th and early 17th centuries, explored contrapuntal origins in his fantasias, applying various imitation techniques, including echo.
Composer's Artistic Vision
John Calvin, a church reformer, wanted the congregation to have a substantial role in worship, believing all members had a priestly task, which led to the importance of congregational singing.
Instruments
The organ used for this recording, built by Marc Garnier, is designed in the Northern German and Dutch style of the mid-17th century and uses a 'mean-tone' tuning temperament.
Historical Context
Despite synods demanding their removal, organs remained in churches because they were owned by city governments, and organists served under government orders.
Historical Context
Instrumental music, including the organ, was not accepted in Dutch Reformed liturgy during Sweelinck's time, as it was believed to divert attention from the text and was considered inferior.
Performer Biography
Masaaki Suzuki, the performer on this album, founded the Bach Collegium Japan in 1990 and has extensively recorded vocal and instrumental works, including an ongoing series of Bach's complete church cantatas.
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