An EMM Labs ADC-8 Mk IV, custom modified by Andreas Koch, was chosen by Dave and Daryl Wilson for the analog-to-digital transfers.
Recording & Production
A custom Vari-speed adjustment was used to precisely set the 1KHz tone, ensuring the exact speed at which the master tapes were originally recorded.
Recording & Production
Approximately 8 of the first 13 master tape reels had to be baked in an incubator at 135 degrees for 24 hours to reformulate their binding.
Recording & Production
The original master tapes for this album were inspected, cleaned with an anti-fungal solution, and lubricated before transfer.
Recording & Production
The transfer of the master tapes was executed on a Studer A-80 RC Mk II, with custom modifications by John French and/or Ki Choi.
Recording & Production
The sonic evaluation for this album was conducted in the 'Wilson Music Room' in Provo, Utah, using Wilson Audio Alexandria XLF speakers and Thor's Hammer subwoofers.
Recording & Production
All DSD files were transferred into a Merging Technologies Pyramix DSD/DXD Masscore workstation for sample rate conversion, format conversion, and meta-data tagging.
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