
Sainte-Colombe: Concerts à deux violes esgales, Vol. 1
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1/7Composer Biography
Monsieur de Sainte-Colombe, the composer of these Concerts, has a largely mysterious biography, with his birth and death dates, and even his first name, unknown.
Composer's Artistic Vision
Sainte-Colombe's music is noted for its extraordinary imagination, originality, and technical difficulty, departing from the Lully-like classicism popular at the time.
Compositional Technique
The Concerts on this album feature typically French titles that hint at their musical characteristics or specific circumstances of their creation or transcription.
Interpretation
The performers on this album have scrupulously followed the original manuscript, respecting the composer's unique stylistic choices.
Critical Reception
Despite being a renowned teacher, Sainte-Colombe's compositions were explicitly underrated by some contemporaries, with one writer in 1752 stating he 'was no composer'.
Composition History
Almost nothing was known of Sainte-Colombe's music until 1966, when a manuscript collection of 67 Concerts à deux violes esgales was discovered in Geneva.
Compositional Technique
Sainte-Colombe is credited with introducing the seventh string to the viol, which expanded the instrument's bass range by a fourth.















