
Sammartini: Maria Addolorata / Il Pianto Di San Pietro
Featuring
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1/7Recording & Production
This album was recorded during a concert in Santa Maria Hoè Parish Church, Milan, Italy, on March 31st, 1999.
Historical Context
Sammartini's long career spanned from the maturity of Vivaldi and J. S. Bach to the emergence of Haydn and the young Mozart, showing a transition between late Baroque and Classical styles.
Composer Biography
Giovanni Battista Sammartini, son of French oboist Alexis Saint-Martin, was likely born in Milan around 1700 or 1701.
Composer Biography
Sammartini was active as a maestro di cappella and organist, admired for his individual touch on the organ.
Composer's Artistic Vision
Sammartini is primarily remembered as the 'father of the symphony' due to his significant attention to the genre, being among the first to treat it as important.
Compositional Technique
The cantatas feature a pre-Classical style, with vocal lines dominated by Italianate melodiousness and virtuosity, and orchestral writing full of daring harmonies and sparkling themes.
Composition History
The cantatas Maria Addolorata and Il pianto di San Pietro were first performed in 1751 at the Church of San Fedele in Milan.



















