Domenico Scarlatti, the composer, wrote nothing of real significance for the first 33 years of his life, while under the influence of his father and Neapolitan opera.
Critical Reception
Scarlatti's sonatas were not popular in the 18th and 19th centuries, with even Chopin's students being unenthusiastic, and only gained widespread recognition in the 20th century, particularly during Horowitz's time.
Composition History
Scarlatti's sonatas began to flow after he was appointed mentor to the nine-year-old infanta Maria Magdalena Barbara in Portugal in 1719, who later became Queen of Spain and requested a regular supply of sonatas.
Performer Biography
Yevgeny Sudbin, the pianist on this recording, has been hailed by the Daily Telegraph as "potentially one of the greatest pianists of the 21st century" and has received numerous awards.
Composer's Artistic Vision
Scarlatti's sonatas vividly reflect a colorful Iberian way of life, incorporating elements like flamenco, castanets, guitars, and muted drums, while also retaining Italian elements like bel canto style.
Composition History
Scarlatti's muse awakened at the ripe age of 50, leading to the composition of 555 (and possibly more) sonatas, an almost unparalleled legacy of miniatures.
Composer's Artistic Vision
In a preface to a set of 30 sonatas published in 1738, Scarlatti described his compositions as "an ingenious Jesting with Art," emphasizing the free spirit of his approach.
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