Scheidt frequently uses 'pictorial effects' in his motets, such as descending scale passages to imitate a harp or rapid vocal entries to illustrate text.
Compositional Technique
The double choir technique, common in Venetian compositions, is used in Scheidt's Sacræ Cantiones, but he also incorporates contrapuntal concepts and madrigalisms.
Historical Context
Contrary to common belief, Latin texts were not completely excluded from Lutheran liturgy, as evidenced by Scheidt's use of Latin in motets like Surrexit Christus hodie.
Composition History
Scheidt's Sacræ Cantiones, published in 1620, are typical of late Renaissance traditions, not using obbligato instrumental lines or basso continuo.
Composer Biography
Samuel Scheidt, the composer, was born in Halle in 1587 and spent most of his life there, primarily working as an organist.
Recording & Production
This album was recorded in the Saint-Apollinaire church in Bolland, Belgium, from June 30 to July 3, 2009.
Compositional Technique
The monumental motet Vater unser (Our Father) is entirely based on a Lutheran chorale theme, with the melody appearing as a cantus firmus in various voices throughout its verses.
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