Johann Hermann Schein, the composer of 'Israelsbrünnlein', was the cantor at St. Thomas's in Leipzig for seven years and, despite constant illness, had only seven years left to live after its publication in 1623.
Compositional Technique
Schein described his compositional style in 'Israelsbrünnlein' as the 'Italian madrigal manner,' leading to the pieces being called 'sacred madrigals,' a term that initially seems contradictory.
Performer Biography
Opella Musica, the vocal ensemble on this recording, was founded in 2011 and is known for performing Baroque music with transparent, small instrumentation, and has made the complete vocal works of Johann Kuhnau accessible.
Compositional Technique
Schein's 'Israelsbrünnlein' blends the strict contrapuntal style of motets with the virtuosity and subjective expression of madrigals, showcasing a wide range of styles.
Composer's Artistic Vision
Unlike the objective approach of Heinrich Schütz, Schein's 'Israelsbrünnlein' aims for the expressive truth of the text's emotions, making his perspective on biblical texts seem more modern.
Historical Context
The development of the madrigal around 1600, along with thoroughbass and opera, influenced sacred music, making the traditional motet style seem old-fashioned compared to the impassioned expression of new forms.
Recording & Production
This recording by Opella Musica is a complete recording of Johann Hermann Schein's 'Israelsbrünnlein', released for its 400th anniversary.
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