Schumann & Dvořák: Cello Concertos

Featuring

Petr Vronský
Carmine Miranda
Moravská filharmonie Olomouc
Robert Schumann
Antonín Dvořák

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Composition History

Schumann composed his Cello Concerto in A minor, Op. 129, in just two weeks in October 1850, during his stay in Düsseldorf.

Composition History

Dvořák gathered inspiration for his Cello Concerto by listening to Victor Herbert's Cello Concerto No.2 in E minor.

Composition History

Johannes Brahms, a longtime friend and mentor of Dvořák, helped revise and orchestrate the score for Dvořák's Cello Concerto.

Composition History

Dvořák's Cello Concerto in B minor, Op. 104, was the last concerto he wrote during his residency as Director of the National Conservatory in New York City.

Composition History

Dvořák was initially reluctant to write for the cello as a solo instrument, despite his compositional advantage as a violist.

Composer Biography

Dvořák, known for his nationalism, was also influenced by Italian, French, and German masters throughout his life and travels.

Compositional Technique

Schumann's Cello Concerto in A minor is designed to be performed continuously without interruptions, differing from the traditional three separate movements.