
Schumann Collection - String Quartets and Piano Quintet
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1/7Critical Reception
Clara Schumann, the composer's wife, praised the String Quartets, Op. 41, as 'new yet clear, exquisitely worked out and always true to the quartet style.'
Compositional Technique
The three String Quartets, Op. 41, are unified by Schumann's omnipresent use of counterpoint, including canons and imitative effects, and a penchant for offbeat rhythms.
Cultural Impact
Schumann's Quintet for Piano and Strings, Op. 44, was a foundational work for a new genre, inspiring later composers like Johannes Brahms, Antonín Dvořák, and César Franck to write their own piano quintets.
Interpretation
The performers believe Robert Schumann's style is particularly suited to live albums, emphasizing the warmth, urgency, and passion of a concert performance.
Composition History
Schumann composed his three String Quartets, Op. 41, in just a few weeks during June and July 1842, after having previously made drafts and organized 'Quartet Matinées' with the renowned David Quartet.
Composer's Artistic Vision
The album is part of a monographic collection dedicated to Robert Schumann, aiming to better understand his compositional obsessions, from theme construction to the literary and poetic dimensions of his music.
Composition History
Robert Schumann, who primarily wrote for voice and piano, was spurred to compose string quartets after deploring the 'worrying state of stagnation' in the genre in his journal, the Neue Zeitschrift für Musik.


















