Robert Schumann initially considered vocal composition to be inferior to instrumental music, a view he held as late as 1839.
Composition History
Schumann's attitude towards vocal music dramatically changed in 1840, which he called 'the great Year of Song,' during which he composed 138 individual vocal works.
Composition History
The song 'Der Himmel hat eine Träne geweint' from Op. 37 is a rare example of a collaborative work, with its initial motif originating from Clara Wieck, Schumann's wife.
Composition History
The collection 'Myrthen' op.25 was intended by Schumann as a wedding present for Clara Wieck, his beloved and future wife.
Composition History
Schumann dedicated the songs Op. 89 to the celebrated Swedish soprano Jenny Lind, whom he and Clara considered an ideal interpreter of his art.
Compositional Technique
In his later songs, Schumann's vocal writing became more like spoken language, and the piano part took on a more dramatic, almost orchestral role.
Critical Reception
Schumann's songs from 1849-1852 have not received the same popularity as his earlier works, possibly due to a more 'recalcitrant' and less melodic style.
