
Schumann, Volkmann, Dietrich, Gernsheim: Cello Concertos (Hyperion Romantic Cello Concerto 2)
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1/7Historical Context
The cello concerto as a genre languished for many decades after the 18th century because the cello's modest tone struggled to project against the growing Romantic orchestra.
Notable Performances
Schumann's Cello Concerto remained unperformed for a decade after its composition and only received its public premiere in 1860, securing its place in the repertoire much later, thanks to Pablo Casals.
Instruments
Alban Gerhardt, the cellist on this recording, plays a cello made by Matteo Gofriller.
Composition History
Robert Schumann's Cello Concerto, Op. 129, was originally titled "Konzertstück" due to its modest scale and the way its three movements are linked into a fantasia-like continuum.
Composer Biography
Johannes Brahms, who never wrote a cello concerto, serves as a point of contact for the four composers on this album, having been friends with Dietrich, Volkmann, and Gernsheim.
Performer Biography
Alban Gerhardt, the cellist on this recording, began his career in 1991 with an invitation to play with the Berlin Philharmonic Orchestra and has since performed with many leading orchestras and conductors.
Compositional Technique
Schumann's Cello Concerto features a discreet orchestration, with sparing use of trumpets and drums, to allow the solo cello to project its lyrical part without forcing its tone.


















