Barbara Hendricks, the soprano on this album, associates Christmas with visits to her maternal grandparents' farm in Stephens, Arkansas, and warm family gatherings filled with music and singing.
Historical Context
Negro spirituals, like 'Shout For Joy' and 'Oh Jerusalem', were born out of desperation by black slaves in the American South, who sang them to find solace and a sense of God's presence.
Notable Performances
Handel's 'Messiah', though now a Christmas staple, was originally intended for Easter festivities and premiered on April 23, 1742, in Dublin for charity.
Cultural Impact
The influence of Christmas has extended from cathedrals and village churches to homes and markets, leaving a lasting impression on Western culture, art, and spirituality.
Composer's Artistic Vision
For Barbara Hendricks, the important message of Christmas—generosity, solidarity, peace on Earth, and goodwill—is universal and transcends any single religion.
Composition History
George Frideric Handel, the composer of 'Messiah', wrote the oratorio in just 24 days between August 22nd and September 14th, 1741, while near-destitute.
Cultural Impact
The Fisk University Jubilee Singers, formed in 1871 to raise scholarship money for freed slaves, successfully toured the United States and Europe, elevating the Negro spiritual to an art form.
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