When Sibelius first agreed to compose music for the pantomime Scaramouche, he believed only a few dance movements were required, but it became a very extensive score.
Compositional Technique
Sibelius used modest orchestral forces for Scaramouche, omitting heavy brass and relying on melody and harmony to depict the mysterious allure of the character.
Recording & Production
The complete score of Scaramouche is recorded commercially for the first time on this album.
Critical Reception
Despite the publisher's assurance, the premiere of Scaramouche in Copenhagen included spoken dialogue, which Sibelius feared would lessen the effect of his music.
Composition History
Scaramouche is Sibelius's longest uninterrupted piece, with its first act alone being longer than the vast middle movement of Kullervo.
Recording & Production
The Wedding March from 'The Language of the Birds' is also recorded for the first time on this album and remains in manuscript.
Critical Reception
Critics at the Copenhagen premiere of Scaramouche found the spoken words "strictly speaking meaningless" but praised Sibelius's music as showing "the imprint of a genius."
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