A custom Vari-speed adjustment was used to precisely set the 1KHz tone at 1KHz, ensuring the exact speed at which the Master Tapes were originally recorded.
Recording & Production
The digital files were transferred into a Merging Technologies Pyramix DSD/DXD Masscore workstation for sample rate conversion, format conversion, and meta-data tagging.
Recording & Production
The original Master Tapes for this recording were inspected, cleaned, treated with preservatives, and baked in an incubator at 135 degrees to reformulate the binding.
Recording & Production
An EMM Labs ADC-8 Mk IV, custom modified by Andreas Koch, was chosen by Dave and Daryl Wilson for the analog-to-digital transfers.
Recording & Production
The sonic evaluation for this recording was conducted in the 'Wilson Music Room' in Provo, Utah, using high-end equipment including Wilson Audio Alexandria XLF speakers and Thor's Hammers.
Recording & Production
The transfers from the Master Tapes were executed on the UltraMaster, a unique Studer A80 tape machine designed and built by John Curl with custom electronics.
Recording & Production
The Master Tapes were stored 'tails-out' and underwent a library wind to the take-up reel by Puget Sound Studios before transfer.
