
Stravinsky: A Soldier's Tale
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1/7Recording & Production
This recording is dedicated to Peter Maxwell Davies, a composer and teacher who was originally slated to perform as the Devil in Stravinsky's 'The Soldier's Tale' but passed away before the sessions.
Composition History
Stravinsky's 'L'Histoire du soldat' (The Soldier's Tale) was conceived during World War I to be affordable and mobile, using a small instrumental septet and three spoken roles.
Compositional Technique
Stravinsky's choice of instrumentation and rhythmic character in 'The Soldier's Tale' was influenced by his discovery of jazz at the time.
Compositional Technique
The 'Double Canon' by Stravinsky, written in the same year as 'Epitaphium', uses a thematically watertight structure with retrograde, retrograde-inversion, and transposed versions of the original theme.
Performer Biography
Dame Harriet Walter, the narrator on this album, is a distinguished actress known for her extensive work in theatre, television, film, and radio, including roles with the Royal Shakespeare Company.
Compositional Technique
Stravinsky's 'Fanfare for a New Theatre' is a brief piece for two C trumpets that uses precise manipulation of musical shapes and his late serial language.
Composition History
Stravinsky's 'Epitaphium' was commissioned in 1959 as a tribute to Prince Max Egon zu Fürstenberg, a patron of the Donaueschinger Musiktage festival.


















