
Svendsen: Orchestral Works, Vol. 2
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1/7Compositional Technique
In his Norwegian Rhapsodies, Svendsen used a 'changing background technique' where a melody is repeated unchanged over a constantly varied instrumental accompaniment.
Critical Reception
The Cello Concerto in D major, Op. 7, received muted acclaim from critics at its premiere, with some finding the solo part rather boring due to its unconventional form and limited virtuoso passages.
Performer Biography
Neeme Järvi, the conductor, has an impressive discography of over 450 recordings, including complete symphony cycles of Prokofiev, Sibelius, Nielsen, and Brahms.
Performer Biography
Truls Mørk, the cellist on this recording, plays the rare 'Esquire' cello made by Domenico Montagnana in Venice in 1723.
Composer Biography
Johan Svendsen (1840-1911) was the first successful Norwegian symphonist and a close friend of Edvard Grieg (1843-1907).
Compositional Technique
Svendsen's Cello Concerto in D major, Op. 7, experiments with form by presenting as a single large sonata allegro enfolding a slow intermezzo, despite appearing to be a three-movement concerto.
Composer Biography
Svendsen grew up in poverty in Christiania (now Oslo) and became proficient on several wind instruments and the violin, which influenced his later skills as an orchestrator and conductor.
















