
The Art of Agony
Featuring
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1/7Compositional Technique
Robert Davidson's The Art of Agony uses pianos to frame Percy Grainger's recorded voice, with the pianos tracking the men's speech intonation and adding word painting.
Recording & Production
This album features eight premiere recordings of Australian music for two pianists, including six works commissioned by the Viney-Grinberg Duo.
Album & Artwork
The album's title, "The Art of Agony," comes from an interview with composer Percy Grainger, where he discusses his belief that music derives from a fuller range of primal emotions, including agony.
Compositional Technique
Across the album, the two pianists perform in various configurations, including on one piano, two pianos, and in one piece, 22 overdubbed pianos.
Composer's Artistic Vision
Composer Percy Grainger believed that music was "the art of agony" and derived from screaming, not laughing, often emphasizing the darker side of his music.
Performer Biography
The Viney-Grinberg Duo, consisting of Liam Viney and Anna Grinberg, has an international performance profile and is committed to expanding the two-piano and four-hand repertoire through commissioning composers.
Recording & Production
The studio version of Louise Denson's Mill Life was created by the Viney-Grinberg Duo using as many pianos as they could access at the University of Queensland, School of Music.
























