
The Diabelli Project
Leading pianist Rudolf Buchbinder’s first album for Deutsche Grammophon is an innovative tribute to Beethoven. As well as recording the famed Diabelli Variations, Buchbinder plays 12 newly commissioned variations on the same theme, echoing music publisher Anton Diabelli’s original 1819 project that inspired Beethoven. Also included are the eight other variations written for Diabelli at the time, by composers including Schubert and Liszt.
Featuring
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1/7Composition History
Anton Diabelli, a publisher, launched a project in 1819 by sending his waltz to 'the foremost tone poets and virtuosi of Vienna and the Austrian States' to compose a variation on it.
Performer Biography
Rudolf Buchbinder, the pianist on this album, received the score for Beethoven's Diabelli Variations 60 years ago from his piano teacher Bruno Seidlhofer, who called him 'Burli'.
Compositional Technique
Beethoven's Variation 22 transforms Diabelli's theme into a caricature of Leporello's aria 'Notte e giorno faticar' from Mozart's Don Giovanni.
Album & Artwork
This album includes 'New Variations on a Waltz by Anton Diabelli' commissioned by Rudolf Buchbinder from eleven contemporary composers, reflecting a 21st-century parallel to Diabelli's original project.
Interpretation
Rudolf Buchbinder's interpretation of the Diabelli Variations has evolved over decades, becoming more spontaneous and flexible after living with Beethoven's music and studying various editions.
Composition History
Ludwig van Beethoven initially refused to participate in Diabelli's project, dismissing the waltz as a 'Schusterfleck' (cobbler's patch), but later composed 33 variations.
Compositional Technique
Beethoven's Diabelli Variations, Op. 120, cover a broad stylistic, technical, and expressive canvas, comparable to Bach's Goldberg Variations.


























