
Vaughan Williams: Serenade to Music, Flos Campi, 5 Mystical Songs, Fantasia on Christmas Carols
Featuring
Did you know?
1/7Composer's Artistic Vision
The title Flos Campi, which Vaughan Williams irritably clarified has nothing to do with 'buttercups and daisies', is the Vulgate equivalent of the 'Rose of Sharon'.
Notable Performances
The premiere of Serenade to Music in 1938, celebrating Sir Henry J Wood's jubilee, featured contingents from three London orchestras, three choral societies, and Rachmaninov.
Composition History
Vaughan Williams's Serenade to Music was uniquely written for sixteen internationally acclaimed solo singers, each identified by their initials in the score.
Critical Reception
Rachmaninov, after hearing the Serenade to Music at its premiere, told Sir Henry J Wood that he had never before been so moved by music.
Compositional Technique
Vaughan Williams's Fantasia on Christmas Carols intentionally avoids the most familiar carols, instead giving wider life to beautiful tunes he collected himself, like 'On Christmas night'.
Composer's Artistic Vision
Vaughan Williams was drawn to George Herbert's poetry because of their shared preoccupation with the conflict between God and World, Flesh and Spirit, Soul and Senses.
Instruments
Flos Campi features a unique instrumentation: solo viola, a small orchestra (more like a chamber ensemble), and a small wordless choir.































