The earliest polyphonic piece related to Venetian public ceremonies is the motet 'Ave corpus sanctum,' attributed to Marchetto da Padova, likely composed for Doge Francesco Dandolo's visit to San Giorgio Maggiore in 1329.
Composer's Artistic Vision
Musicians of this period, like Johannes Ciconia, often included self-references in their motet texts, confirming their desire to move away from anonymity.
Composition History
The program for this CD was originally commissioned by the Teatro La Fenice of Venice in 2013 for their Festival «Lo spirito della musica di Venezia» (The Spirit of Venetian Music).
Historical Context
At the beginning of the 15th century, Venice became the most active musical center in Italy, paralleling its territorial expansion and increasing political power.
Recording & Production
The album was recorded using 24-bit digital recording technology.
Historical Context
During the Middle Ages, the figure of the professional musician emerged, influencing local musical life and moving away from the anonymity that composers had previously experienced.
Album & Artwork
The album's cover art features Vittore Carpaccio's 'The Lion of St Mark,' painted in 1516.
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