Heitor Villa-Lobos, the composer, played the cello in formal settings but also regularly attended chôro circles, where he played the guitar, connecting him to popular music.
Recording & Production
The Valsa Concerto No. 2, an unfinished piece by Villa-Lobos, features a completed conclusion by Brazilian pianist Débora Halász, who has a deep understanding of the composer's style.
Composition History
The Douze Études (Twelve Studies) by Villa-Lobos were commissioned by the renowned guitarist Andrés Segovia after an initial, humorous encounter between the two.
Composition History
Villa-Lobos's Suite populaire brésilienne, a work blending Brazilian folk music with European dances, was formed by adding a new Chôro for guitar to four earlier pieces.
Historical Context
In mid-19th century Rio de Janeiro, carrying a guitar could lead to imprisonment, as depicted in Manuel Antônio de Almeida's 1852 novel, Memórias de um sargento de milícias.
Composition History
The original 1928 version of Villa-Lobos's Douze Études differs significantly from the 1950s printed edition, with changes made by Andrés Segovia.
Compositional Technique
The Douze Études by Villa-Lobos are considered essential material for guitar students worldwide and are part of the guitar curriculum at conservatories.
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