play pause radio-play skip-back skip-forward playing search copy check embed close plus caret-down caret-left caret-right caret-up chevron-down chevron-left chevron-right chevron-up arrow-left arrow-right open-in-new-tab filter menu more-horizontal more-vertical share share-android select star star-block volume-block volume-mute-block volume-mute volume lock settings recording composition devices laptop speaker
Log inCreate account

She, Who Should Have Been a Queen for Soprano and Piano (2024)

Antoinette Halloran (Soprano), Coady Green (Piano)
2025, Melbourne, Hanson Dyer Hall, Ian Potter Southbank Centre, Melbourne Conservatorium of Music
7 Tracks, 37:11
    • 1. Lady Macbeth on a Soapbox at Last (after Verdi’s Macbeth)
      06:18
    • 2. The Nurse’s Curse (after Gounod’s Romeo and Juliet)
      04:24
    • 3. Pinkerton’s Lament (after Puccini’s Madama Butterfly)
      04:00
    • 4. Buttercup and the Cruel Stomp of Time (after Gilbert and Sullivan’s HMS Pinafore)
      07:52
    • 5. Just Gilda (after Verdi’s Rigoletto)
      02:48
    • 6. Musetta’s Schmaltz (after Puccini’s La bohème)
      05:24
    • 7. The Snake’s Persssspective: A Revisionist Commentary on The Drover’s Wife (after Mills’ The Ghost Wife)
      06:25