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Messiah HWV 56

Text: Charles Jennens
Peter Dijkstra, B'Rock Orchestra, Chor des Bayerischen Rundfunks, Julia Doyle (Soprano), Steve Davislim (Tenor), Neal Davies (Bass-baritone), Lawrence Zazzo (Countertenor), Christian Baumann (Speaker), Gert Heidenreich (Speaker), Hans Jürgen Stockerl (Speaker)
2014, Munich
71 Tracks, 3:30:26
    • 1. Symphony. Grave
      02:59
    • 2. Comfort Ye My People
      03:01
    • 3. Ev'ry Valley Shall Be Exalted
      03:16
    • 4. And the Glory of the Lord
      02:30
    • 5. Thus Saith the Lord
      01:22
    • 6. But Who May Abide the Day of His Coming
      04:18
    • 7. And He Shall Purify the Sons of Levi
      02:32
    • 8. Behold, a Virgin Shall Conceive
      00:25
    • 9. O Thou That Tellest Good Tidings to Zion
      05:08
    • 10. For Behold, Darkness Shall Cover the Earth
      02:06
    • 11. The People That Walked in Darkness Have Seen a Great Light
      03:34
    • 12. For unto Us a Child Is Born
      03:55
    • 13. Pifa. Larghetto
      00:56
    • 14. There Were Shepards Abiding in the Field
      00:14
    • 15. And Lo, the Angel of the Lord Came upon Them
      00:19
    • 16. And the Angel Said unto Them
      00:31
    • 17. And Suddenly There Was with the Angel
      00:17
    • 18. Glory to God in the Highest
      01:52
    • 19. Rejoice Greatly, O Daughter of Zion
      04:14
    • 20. Then Shall the Eyes of the Blind Be Open'd
      00:30
    • 21. He Shall Feed His Flock
      05:26
    • Messiah, HWV 56, Pt. 1: His Yoke Is Easy
      02:21
    • 1. Behold, the Lamb of God
      03:11
    • 2. He Was Despised and Rejected of Men
      10:18
    • 3. Surely, He Hath Borne Our Griefs and Carried Our Sorrows
      01:36
    • 4. And with His Stripes We Are Healed
      01:40
    • 5. All We like Sheep
      03:57
    • 6. All They That See Him
      00:42
    • 7. He Trusted in God
      02:16
    • 8. Thy Rebuke Hath Broken His Heart
      01:43
    • 9. Behold, and See If There Be Any Sorrow
      01:17
    • 10. He Was Cut Off
      00:16
    • 11. But Thou Didst Not Leave His Soul in Hell
      02:07
    • 12. Lift Up Your Heads
      02:59
    • 13. Unto Which of the Angels Said He at Any Time
      00:13
    • 14. Let All the Angels of God Worship Him
      01:29
    • 15. Thou Art Gone Up on High
      03:07
    • 16. The Lord Gave the Word
      01:11
    • 17. How Beautiful Are the Feet
      02:21
    • 18. Their Sound Is Gone Out into All Lands
      01:22
    • 19. Why Do the Nations So Furiously Rage Together
      02:48
    • 20. Let Us Break Their Bonds Asunder
      01:46
    • 21. He That Dwelleth in Heaven
      00:12
    • 22. Thou Shalt Break Them with a Rod of Iron
      02:04
    • 23. Hallelujah
      03:42
    • 1. I Know That My Redeemer Liveth
      05:25
    • 2. Since by Man Came Death
      02:16
    • 3. Behold, I Tell You a Mystery
      00:34
    • 4. The Trumpet Shall Sound
      08:48
    • 5. Then Shall Be Brought to Pass
      00:16
    • 6. O Death, Where Is Thy Sting
      00:57
    • 7. But Thanks Be to God
      02:02
    • 8. If God Be for Us
      04:24
    • 9. Worthy Is the Lamb That Was Slain
      03:17
    • 10. Amen
      03:55
    • 1. Kreativer Rausch und Schaffenskrise
      03:30
    • 2. Tonarten als Symbole
      07:24
    • 3. Von der Erfindung zur Partitur
      03:15
    • 4. Das Verhältnis von Wort zu Ton
      04:13
    • 5. Orchesterklang und Parodie (Diebstahl in eigener Sache)
      06:13
    • 6. Die Uraufführung in Dublins Fishamble Street
      03:26
    • 7. Arien und Affekte
      03:11
    • 8. Musik als Klangmalerei
      06:36
    • 9. Ein Oratorium als geistliches Musiktheater
      04:46
    • 10. Enttäuschung und Erfolge
      06:17
    • 11. Oratorien im Überfluss
      04:11
    • 12. Gottes Wort im Opernhaus
      04:19
    • 13. Sacred Words (Das Libretto als Bibelcollage)
      03:38
    • 14. Glaube und Politik
      05:49
    • 15. Äußere Form und dogmatischer Inhalt
      03:55
    • 16. Anglikanisches Erbe (Die Liturgie des Book of Common Prayer)
      03:46