Name: Moriae Encomium, sive Stultitiae Laus (Praise of Folly) | Erasmus of Rotterdam | Jordi Savall, Andrew Lawrence-King, Emily Wallis, Montserrat Figueras, Pedro Estevan, Rolf Lislevand, La Capella Reial de Catalunya, Hespèrion XXI (2012)
Duration: 3 h 44 min 35 s
Description: Listen to Erasmus of Rotterdam’s Moriae Encomium, sive Stultitiae Laus (Praise of Folly), performed by Jordi Savall, Andrew Lawrence-King, Emily Wallis, Montserrat Figueras, Pedro Estevan, Rolf Lislevand, La Capella Reial de Catalunya, Hespèrion XXI. Discover and compare alternative recordings.

Part I (in English)
- 1. Folias (Imperfectas)
  01:44
- 2. Narration I (after By Her Mere Presence, Folly Dissipates the Cares of her Audience)
  02:14
- 3. La Folia (after Henry du Bailly: Yo Soy La Locura)
  02:11
- 4. Narration III (after Diego Ortiz: Passamezzo Antico)
  00:49
- 5. Narration VII (after Folly’s Origins)
  02:11
- 6. Recercada quarta sobre la Folia (after Diego Ortiz)
  01:28
- 7. Narration VIII (after Folias de la costa)
  01:39
- 8. Narration IX (after Folias de la costa)
  01:21
- 9. La Gamba in Basso, e Soprano (1564) (after Vincenzo Ruffo)
  01:57
- 10. Narration X (after Alonso Mudarra: Romanesca)
  00:53
- M. Palacio No. 12]
  03:10
- M. Palacio No. 12]
  01:41
- M. Palacio No. 12]
  00:54
- M. Palacio No. 179]
  01:29
- 15. Narration XIII (after 'Las Vacas' Improvisation Harp)
  01:56
- M. Medinaceli]
  01:57
- M. Palacio No. 121]
  01:43
- 18. Narration XVI (after Tobias Hume: Harke, harke)
  02:04
- 19. Browning my Dear (after Clement Woodcock)
  02:24
- 20. Narration XIX (after Thoinot Arbeau: Belle qui tiens ma vie)
  01:22
- 21. Narration XX (after Thoinot Arbeau: Belle qui tiens ma vie)
  01:00
- M. Palacio No. 94]
  00:56
- 23. Narration XXI (after Paduana del re) [Mss. Venezia]
  01:41
- 24. Todos los buenos soldados (La Guerra) (after Mateo Flecha)
  01:44
- 25. Narration XXIII (after Clément Janequin: Pavana La Battaglia)
  01:48
- 26. Narration XXV (after 'Vederlo' Improvisation)
  02:04
- 27. Narration XXVIII (after 'My Lady Carey’s Dompe' Danse Tune English Tradition)
  03:01
- 28. Saltarello [Mss. Venezia]
  01:06
- 29. Narration XXIX (after Las Vacas)
  03:43
- 30. Narration XXX (after Antonio de Cabezón: Pavana con su Glosa)
  02:06
- 31. Narration XXXII (after Desperada - Elizabethan)
  02:09
- 32. La Spagna (XVth Century)
  01:38
- 33. Narration LV (after Las Vacas) (Romanesca)
  03:47
- M. Calabria No. 26]
  04:55
- M. Montecassino No. 2]
  03:15
- M. Palacio No. 434]
  02:29
- 37. Diferencias Sobre 'Las Vacas' (after Antonio de Cabezón)
  02:35
- 38. Narration LXVIII (after Folias Portuguesas)
  01:27
- M. Palacio No. 174]
  02:29
Part II (in English)
- 1. Makam 'Muhayyer pesrev' (Ottoman War March) [15th Century]
  03:28
- 2. Narration 1 (after Taksim - Improvisation Santur)
  01:42
- 3. Saltarello 'Une musque de Buscaye' (after Josquin des Prez)
  02:58
- M. Montecassino No. 6]
  02:00
- 5. Narration 2. Adage 145 (after Josquin des Prez: Fortuna desperata)
  01:44
- M. Montecassino No. 40]
  03:47
- 7. Taskim & Dance (after Ottoman)
  02:56
- 8. Narration 3 (after Anonymous Sephardic: Las estrellas de los cielos)
  01:52
- 9. Lavava y suspirava (after Anonymous Sephardic)
  05:25
- 10. Malor me bat (after Jean d’Ockeghem) [Odhecaton, No. 63]
  04:22
- 11. Benedic anima mea (Ps. 103, 1-3) (after Claude de Sermisy)
  03:11
- 12. Narration 4 (after Johannes Vincenet: Fortune par ta cruaulté)
  02:05
- 13. La déploration sur la mort de Johannes Ockeghem (after Josquin des Prez)
  03:55
- 14. Latura tu (after Antoine Bruhier) [Odhecaton No. 94]
  02:22
- 15. Narration 5 (after Adieu mes amours)
  01:34
- 16. Hélas madame, passamezzo [Henry VIII mss. 10]
  02:28
- M. Montecassino No. 85]
  02:35
- M. Palacio No. 84]
  03:51
- M. Montecassino No. 76]
  01:45
- 20. Puzzle-Canon II [Henry VIII mss.]
  01:39
- 21. Scaramella va alla guerra (after Josquin des Prez)
  01:57
- M. Montecassino No. 106]
  07:21
- M. Palacio No. 321]
  02:04
- 24. Narration 9. Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly
  02:24
- 25. Home Again, Market Is Done [Margaret Board Lute Book]
  01:54
Part III (in English)
- 1. Paduana del Re [Mss. Venezia]
  03:00
- 2. Narration 10 (after Carlo Gesualdo: Gallarda di Venosa)
  02:01
- 3. La Spagna, à 5 (after Josquin des Prez)
  03:08
- 4. Narration 11 (after Antonio de Cabezon: Himno XVI)
  02:13
- 5. Taksim & Makam 'Rast Murass’a' (after Dimitri Cantemir) [Mss. Cantemir No. 214]
  07:20
- 6. Narration 12 (after John Lloyd: Puzzle-canon I)
  02:10
- 7. Adoramus te Domine [Montecassino Mss. No. 4]
  01:20
- 8. Narration 13 (after Josquin des Prez: Mille regrets)
  02:42
- 9. Balad 'Ya es Tiempo de Recoger'
  04:39
- 10. Narration 14 (after A solis ortus cardine)
  01:51
- 11. Benedictus a 3 (after Heinrich Isaac)
  02:29
- 12. Narration 15 (after In Nomine a 5)
  02:23
- 13. Vingtcinquiesme Fantasie. A Quatre (after Eustache Du Caurroy)
  01:46
- 14. Narration 16 (after Hans Leo Hassler: Christ ist Erstanden)
  02:20
- 15. Narration 17 (after Christopher Tye: In Nomine a 5 Free from All)
  02:17
- 16. Pavane 'La Bataille' [Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540]
  02:06
- 17. Narration 18 (after Pavane 14) [Published by Jacques Moderne in 'Music de Joie' Lyon, ca. 1540]
  01:45
- 18. Gazel (Ottoman Song) (after Mehmet bin Süleyman)
  03:57
- 19. Tu pauperum refugium (after Josquin des Prez)
  03:06
- 20. Narration 19 (after Martin Luther: Christ lag in Todes) [Published by Martin Luther in 1533]
  02:12
- 21. Christ ist Erstanden à 6 (after Heinrich Isaac)
  03:18
- 22. Narration 20. Adage 2100 (after John Dowland: Now o Now)
  03:43
- 23. In Nomine a 5 My Death (after Christopher Tye)
  02:26
- 24. Pie Jesu (Requiem) (after Cristóbal de Morales)
  01:38
- 25. Narration 21. Erasmus Dies at Basel [Stefan Zweig, 1934]
  01:33
- 26. Plangite Pierides (Lament on the Death of Erasmus) (after Benedictus Appenzeller)
  03:52
- 27. Narration 22 (after Giovanni Maria Trabaci: Durezze e ligature)
  03:01

Moriae Encomium, sive Stultitiae Laus (Praise of Folly)

Part I (in English)

Part II (in English)

Part III (in English)