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Pelleas und Melisande op. 5 (1902-1903, rev. 1920)

Jonathan Nott, Orchestre de la Suisse Romande
2019, Geneva, Victoria Hall
20 Tracks, 42:11

  • Part I

    • 1. First Movement Sonata Form: Introduktion. Die Achtel ein wenig bewegt (A forest – Mélisande – The immutability of destiny – Appearance of Golaud)
      04:17
    • 2. First Theme Group: Heftig – Sehr warm, in breiter Bewegung ("Ne me touche pas" – Golaud & Mélisande)
      03:30
    • 3. Second Theme Group, Lebhaft (Pelléas; Pelléas & Mélisande) (Codetta: Awakening of mutual love; Short Recapitulation – Golaud and the ring)
      04:04
    • 4. Scherzo with Episodes: Sehr rasch (A well in the garden – Pelléas & Mélisande)
      01:01

  • Part II

    • 1. (Ring falls into the well, Golaud falls from his horse)
      00:41
    • 2. (Golaud wounded in bed, Golaud’s jealousy)
      00:49
    • 3. (Pelléas & Mélisande: Love)
      00:37
    • 4. Episode I: Sehr langsam (One of the castle’s towers – Pelléas & Mélisande (Hair Scene))
      01:27
    • 5. Episode Ib (Golaud appears (Hair-pulling scene))
      00:45
    • 6. Episode II: Sehr langsam, gedehnt (The castle’s vaults – Golaud & Pelléas)
      01:29

  • Part III

    • 1. Slow Movement: Introduktion. Ein wenig bewegt (A well in the garden – Pelléas & Mélisande)
      01:15
    • 2. Love theme, Langsam (Love scene, Pelléas & Mélisande)
      01:06
    • 3. Im Zeitmaß
      02:20
    • 4. Ein wenig bewegter
      02:53
    • 5. Coda (Intervention of Golaud and death of Pelléas)
      00:57

  • Part IV

    • 1. Recapitulatory Finale – Recapitulation of Introduction. Sehr langsam (A room in the castle)
      04:38
    • 2. Recapitulation of First Theme. Etwas bewegt (Golaud)
      00:32
    • 3. Recapitulation of Love Theme
      01:46
    • 4. In gehender Bewegung (Castle maids appear; death of Mélisande)
      02:06
    • 5. Epilog. Breit (The remorse of Golaud)
      05:58