Mariana Flores, the soprano on this album, is an Argentinian singer who is equally at ease in Baroque and Mozartian repertoire as in the popular music of Argentina and Latin America.
Compositional Technique
The tonada, a song type from Mendoza, is noted for its similarity to the 17th-century Spanish tono humano, a strophic song exploring themes of love and tradition.
Interpretation
The album's arrangements by Quito Gato blend traditional folk elements with counterpoint techniques from Baroque music, reflecting his dual expertise.
Composer's Artistic Vision
The album explores the connection between Argentinian folk music and Spanish Baroque music, highlighting their shared heritage.
Recording & Production
The album was recorded in April 2022 at Studio TAC/Malambo in Bois-Colombes, France.
Performer Biography
Quito Gato, who plays guitars, piano, percussion, and provides arrangements, is a founding member of Cappella Mediterranea and has performed in major venues worldwide, including Carnegie Hall and La Scala Milan.
Album & Artwork
The project was inspired by the song "Alfonsina y el mar" by Ariel Ramírez, which is a core piece on the album.
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