Francisco António de Almeida, a Portuguese composer, is believed to have died in the Lisbon earthquake of 1755.
Compositional Technique
In 'La Spinalba', Almeida uses unorthodox forms, such as Vespina's chattering, Togno's multi-sectioned recitative and aria, and Arsenio's aria di folia, which includes a minuet reminiscence.
Recording & Production
This recording of 'La Spinalba' is the first complete recording of the work on period instruments.
Historical Context
King João V of Portugal, who reigned from 1707 to 1750, used vast riches from Brazilian gold and diamonds to restore Portugal's glory, including ambitious architectural and cultural projects.
Historical Context
King João V sent four of the best students from his music school, the Seminário da Patriarcal, including Francisco António de Almeida, to Rome to learn the Roman Catholic style.
Composition History
Opera was not central to court musical life in Lisbon under King João V; instead, an opera buffa in the Neapolitan style, like 'La Spinalba', was chosen, which was less reliant on vocal virtuosity.
Interpretation
Os Músicos do Tejo, the ensemble on this recording, performs 'La Spinalba' using period instruments.
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