
Bach: Cello Suites Nos. 1, 3 & 6
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1/7Compositional Technique
The structure of Bach's Cello Suites follows the form of his harpsichord suites, featuring a Prélude followed by traditional dances like Allemande, Courante, and Sarabande, and then more fashionable dances.
Composer's Artistic Vision
Bach had a strong predilection for systematically structuring his musical ideas, which distinguished him from contemporaries like Corelli, Vivaldi, and Handel.
Composer Biography
As a child, Bach secretly copied musical scores that his older brother, Johann Christoph, had locked away, deeming them too difficult for him.
Performer Biography
Niklas Schmidt, the cellist on this recording, co-founded the Trio Fontenay in 1980, which recorded extensively and received national and international awards.
Interpretation
The performer, by interpreting the interplay of musical lines, effectively becomes his own ensemble, transforming the music sheet into a score for chamber music with himself.
Instruments
Niklas Schmidt performs on a Rogeri cello from Brescia, dating back to the year 1700.
Composition History
Bach's Suites for solo cello explored new territory, as the cello was only just beginning to emerge as a solo instrument from its previous role in the basso continuo.













