The original autograph manuscript of Bach's Cello Suites is lost, and existing sources are copies, including those by Johann Peter Kellner and Anna Magdalena Bach, which show textual differences.
Compositional Technique
Bach's Cello Suites, though initially monophonic, are founded on an underlying harmonic conception where chords are perceptible, creating a 'virtual polyphony' for the listener.
Instruments
Emmanuelle Bertrand performs on a cello made by Carlo Tononi, a Venetian luthier, dating from the early 18th century.
Performer Biography
Emmanuelle Bertrand, the cellist on this recording, was awarded a Victoire de la Musique in 2002 and voted Artist of the Year 2011 by Diapason magazine and France Musique listeners.
Composition History
Before Pablo Casals popularized them in the 20th century, Bach's Cello Suites were primarily used as technical exercises or études.
Interpretation
Emmanuelle Bertrand's interpretation of the Suites was profoundly influenced by her discovery of an early 18th-century cello by Venetian luthier Carlo Tononi, which she equipped with gut strings, a Baroque bow, and a 415 Hz pitch.
