Bach's motets have an unbroken performance tradition in the repertoire of the Saint Thomas Choir in Leipzig, proving durable against changing musical fashions.
Recording & Production
This recording was made in the Jesus-Christus-Kirche in Berlin-Dahlem, known for its exceptional acoustics.
Performer Biography
Collegium Vocale Gent, founded by Philippe Herreweghe in 1970, was a pioneer in applying new insights into Baroque performing practice to vocal music.
Critical Reception
Wolfgang Amadeus Mozart, during a visit to Leipzig in 1789, expressed "the most ardent veneration" upon hearing Bach's motets.
Composition History
Despite their prestige, basic information about Bach's motets is often lacking, partly because they do not form a connected series like his cantatas or oratorios.
Interpretation
The performers' approach is guided by the idea of an "inspired preacher" transmitting the text to move and convince the audience, emphasizing emotion over vocal virtuosity.
Interpretation
In the early 19th century, Bach's motets were considered purely a cappella, but documents from Bach's time show that instruments could reinforce vocal parts.
