The album's concept is to play each work on the historical instrument for which it was created, a practice central to the orchestra Les Siècles, with which performer Marion Ralincourt is associated.
Recording & Production
The recording and editing of 'Music for pieces of wood' was described as 'epic' and highly experimental, relying on re-recording technology to achieve the desired result.
Composer's Artistic Vision
When approached about the project, Steve Reich expressed great admiration for J.S. Bach, calling him "the greatest composer of all time."
Compositional Technique
The album features a transcription of Steve Reich's 'Music for pieces of wood' for five flutists using a 'slap' technique, where a percussive sound is produced without exhaled air.
Performer Biography
Marion Ralincourt, the flutist on this album, is the solo flutist of Les Siècles, an orchestra known for playing each work on the historical instruments of its creation.
Album & Artwork
The album juxtaposes works by J.S. Bach and Steve Reich, two composers separated by 250 years but connected by a common musical idea: the 'line'.
Compositional Technique
Steve Reich's 'Vermont Counterpoint' is written for multiple flutes (three alto, three standard, three piccolo) and a solo part, all recorded on tape, with an additional solo part performed live.
