In the Third Piano Concerto, Bartók used the attribute "religioso" for the first time to characterize the content, creating music of farewell that revolves around a chorale melody.
Composition History
Béla Bartók's Piano Concerto No. 1 was written in 1926, with the composer playing the solo part at its premiere in Frankfurt am Main on July 1, 1927.
Composition History
Béla Bartók's Third Piano Concerto was left unfinished at his death in 1945, with his friend Tibor Serly completing the last seventeen bars.
Compositional Technique
Bartók's Second Piano Concerto was intended to be less demanding for the orchestra and have more obviously attractive thematic material compared to his first concerto.
Composer Biography
Béla Bartók, the composer, developed a deep interest in folk music from his own and adjacent countries, collaborating with figures like Zoltán Kodály and Adnan Saygun.
Compositional Technique
The slow movement of Bartók's First Piano Concerto features the percussion section almost as soloists, requiring various ways of striking drums and cymbals, and entirely omitting strings.
Composition History
The Second Piano Concerto was written between October 1930 and autumn 1931, and premiered in Frankfurt in January 1933 with Bartók as soloist.
You might also enjoy...
Netzel, Sandström & Tarrodi: Piano Concertos
Piano Concertos, Vol. 2
Rautavaara & Martinů: Piano Concertos No. 3
Bartók: Piano Concertos Nos. 2 & 3
Bartók: Piano Concertos Nos. 2 & 3
Bartók: Rhapsody for Piano and Orchestra; Piano Concerto No. 1
