
Beethoven: Piano Sonatas, Op. 31
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1/7Critical Reception
The Op. 31 sonatas were initially criticized by contemporaries for being long and "sometimes bizarre," reflecting the typical reaction to new artistic directions.
Composition History
The first editions of the Op. 31 sonatas, published by Hans Georg Nägeli, contained numerous printing errors and an unauthorized four-bar addition, infuriating Beethoven.
Performer Biography
Pianist Andreas Haefliger, known for his innovative programming, was surrounded by intense vocal artistry from an early age, which contributed to his highly individual "vocal piano sound."
Recording & Production
Andreas Haefliger chose to record these works on a modern C. Bechstein Concert Grand D 282 piano, finding that it retained a nostalgic quality in its sound despite being a modern instrument.
Historical Context
Beethoven's decision to pursue a "new path" in his music coincided with the period of his "Heiligenstadt Testament," a document expressing his despair over increasing hearing loss and social isolation, yet also his strong belief in art.
Performer Biography
In 2020, during lockdown in the Swiss Alps, Andreas Haefliger filmed his performance of Beethoven's 'Hammerklavier' Sonata alongside interviews with alpinist Dani Arnold, for release in cinemas and online.
Composition History
Beethoven reportedly told a friend in 1803 that he was not satisfied with his work so far and wanted to follow a "new path," which his pupil Carl Czerny connected to the Op. 31 sonatas.













