
Beethoven: The Middle Quartets
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1/7Composer Biography
As a boy, Beethoven took violin and viola lessons and played viola in electoral and opera orchestras in Bonn, performing works like 'The Marriage of Figaro' and 'Don Giovanni' while Mozart was still alive.
Composition History
The 'middle' quartets on this album, composed between 1805 and 1810, represent a huge expansion of the string quartet's possibilities and were considered extremely difficult by contemporary audiences and performers.
Composition History
Beethoven's friendship with violinist Ignaz Schuppanzigh, who led a prominent string quartet in Vienna, lasted until the composer's death, and Schuppanzigh's quartet premiered many of Beethoven's quartets.
Critical Reception
The 'Razumovsky Quartets' (Opus 59) were so original that they redefined the string quartet, alienating early audiences, with some critics calling them 'symphony quartets' due to their massive scale.
Historical Context
Ignaz Schuppanzigh's quartet helped transform the string quartet from music intended for home performance into 'concert music' by giving the first 'public' performances in 1804.
Performer Biography
The Alexander String Quartet, formed in NYC in 1981, serves as directors of the Morrison Chamber Music Center at SF State and Ensemble in Residence with San Francisco Performances.
Composition History
Count Andreas Kyrillovich Razumovsky, the Russian ambassador to Vienna and an amateur violinist, commissioned the three 'Razumovsky Quartets' (Opus 59) from Beethoven in 1805, providing Russian themes for inclusion.




















