
Beethoven: The String Quartets, Live from Suntory Hall, Tokyo, Vol. 1
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1/7Recording & Production
The Kuss Quartet's complete Beethoven quartet cycle was recorded live in Tokyo's Suntory Hall, a major undertaking that required extensive coordination.
Interpretation
The Kuss Quartet adopted a new approach to playing Beethoven, prioritizing total spontaneity, openness, and freedom in rehearsals to achieve relevance for modern listeners.
Composition History
Beethoven delayed composing string quartets, conscious of the genre's rich history and the numerous masterpieces by Mozart and Haydn that preceded his Op.18.
Compositional Technique
Beethoven's String Quartet Op.18 No.6 features a poignant slow introduction to its finale, curiously titled 'La Malinconia,' a rare instance of a specific mood indicated in his music.
Composer Biography
Beethoven's String Quartets Op.18 were commissioned by Prince Joseph Franz Lobkowitz, an enthusiastic amateur musician and generous patron who also received the dedication of the 'Eroica' Symphony.
Instruments
The Kuss Quartet performed this Beethoven cycle on four 'Paganini' Stradivari instruments, on loan from the Nippon Music Foundation.
Composer's Artistic Vision
For the Kuss Quartet, Beethoven's quartets represent the 'Mount Everest' of their lives as quartet players, encompassing humanity in all its facets.


















