
In Berlioz's Roméo et Juliette, the crucial love scenes between Romeo and Juliet are given to the orchestra, not to the singers.
Gennady Rozhdestvensky, the conductor, led the Russian premiere of Benjamin Britten's opera A Midsummer Night's Dream at the Bolshoi Theatre in 1965.
Alexander Scriabin, the composer of Le Poème de l'extase, considered himself as much a mystic as a musician, believing composing was a means to transform his audience.
Alexander Scriabin's Le Poème de l'extase uses an enormous Wagnerian orchestra with an expanded brass section, extra percussion, and organ to convey its grandiose images.
Gennady Rozhdestvensky, the conductor, was known for his interpretations of Soviet composers like Dmitri Shostakovich and Sergei Prokofiev, with whom he had close personal relationships.
Hector Berlioz's Roméo et Juliette was inspired by a production of Shakespeare's play in David Garrick's version, which Berlioz saw in Paris in 1827.
Hector Berlioz, the composer of Roméo et Juliette, fell in love with the English actress Harriet Smithson, who played Juliet, and she later became his wife.