Francesco Antonio Bonporti, the composer of these sonatas, was a 'gentleman' of Trent who pursued music as a personal pleasure rather than a professional career.
Interpretation
The performers, Labirinti Armonici, use original early instruments fitted with gut strings and baroque and classical bows, alongside studying historical treatises, to closely match the period's taste and feelings.
Compositional Technique
In these sonatas, Bonporti often uses both solo and tutti passages, incorporating features of the Concerto Grosso into the trio sonata form, similar to Corelli's approach.
Compositional Technique
Bonporti's Op.1 Sonatas, originally published with ten pieces instead of the usual twelve, show an evolution from a prominent solo first violin to a more balanced role between the two violins, including a 'basso concertato'.
Cultural Impact
Bonporti's music, particularly his Op.X Inventions, gained enduring fame and the admiration of Bach, and was even erroneously included in the Bach Gesellschaft, aiding in its rediscovery.
Composition History
Bonporti's noble family initially insisted he pursue an ecclesiastical career, leading him to study theology in Rome where he also studied music and encountered Corelli's thriving musical world.
You might also enjoy...
Leclair: Trio Sonatas, Op. 4
Krieger: 12 Trio Sonatas, Op. 2
The Trio Sonata in 18th-Century France
J.S. Bach: 6 Trio Sonatas (Arr. R. Stone for Chamber Ensemble)
