
After a decade of global success, Maria Callas, the soprano on this album, experienced a loss of confidence in the late 1950s and reduced her demanding schedule.
Despite vocal difficulties during the time of these recordings, Maria Callas's exceptional musicianship, intact art, and emotional control are still evident.
Maria Callas never performed any of the roles from the Rossini and Donizetti operas on this album on stage, though she did sing some of the Rossini arias in recital.
Maria Callas recorded several versions of the same arias, including some on this album, to evaluate her progress in an attempt to regain her full vocal powers.
Maria Callas used recording sessions, such as those for this album, as an objective means to measure improvements in her voice during a difficult period.
This album was recorded in Paris at Salle Wagram across multiple dates in late 1963 and early 1964, with Michel Glotz as producer and Paul Vavasseur as balance engineer.