
Claren's music aims to create 'organized confusion' by radically thwarting expectations raised in the opening bars of his compositions.
Claren's music reflects a constant alternation between continuity and discontinuity, using sophisticated montage techniques and various 'camera positions' translated into music.
Sebastian Claren, the composer of the works on this album, studied composition with Walter Zimmermann in Berlin and Mathias Spahlinger in Freiburg.
This album is part of the 'EDITION ZEITGENÖSSISCHE MUSIK' record series, a project of the German Music Council.
Sebastian Claren's aesthetic is shaped by both a century of modern music and its predecessors, as well as by certain styles of pop music.
Composer Sebastian Claren states that he does not want listeners to hear what he knows about music, but rather for his knowledge to be subsumed within the music itself.