
Clérambault: Miserere - Couperin: Leçons de ténèbres
Featuring
Did you know?
1/7Composition History
Couperin's Leçons de Ténèbres were likely composed and published between 1713 and 1717, with the three pieces for Holy Wednesday being the only ones published.
Interpretation
Le Poème Harmonique, the ensemble on this recording, adds a theorbo to the continuo, an instrument continuously used by the Royal Chapel in the 18th century.
Recording & Production
This recording was made in the Royal Chapel of the Palace of Versailles, where music once accompanied daily court life from sunrise to sunset.
Composer's Artistic Vision
Couperin aimed to unite French and Italian musical tastes, which were often at odds during his time, as evidenced in works like his Concerts Royaux and Les Nations.
Historical Context
Louis XIV, as a devout king, intended the Royal Chapel at Versailles to be a highly visible public place of worship within his royal residence.
Composer Biography
François Couperin, often called 'Couperin the Great', was the most eminent member of a long dynasty of musicians, serving as Royal Organist and music teacher to the children of the royal family.
Compositional Technique
Clérambault's Miserere, written for three equal upper voices, creates intense dissonances due to the close range and timbre of the voices, particularly in the opening chorus.





















