
Clérambault: Te Deum & Histoire de la femme adultère
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1/7Performer Biography
Reinoud Van Mechelen, the director of a nocte temporis, won the prestigious Caecilia Prize for 'Young Musician of the Year' in 2017, awarded by the Union of Belgian Music Press.
Composer Biography
Clérambault was renowned in his time for his many cantatas, earning him the title 'the cantor of Thrace' after his first collection, which included Orphée, was published in 1710.
Composition History
Clérambault's Te Deum à grand chœur is one of his most sumptuous religious pieces, drawing inspiration from an earlier composition, the Te Deum à trois parties.
Composition History
L'Histoire de la femme adultère (The Story of the Adulterous Woman) is an isolated work in Clérambault's output and French music of the early 18th century, described as an 'oratorio' by Sébastien de Brossard, who owned the manuscript.
Historical Context
Clérambault's Te Deum à grand chœur was very likely performed on July 7, 1745, during the lavish celebrations for the completion of the Saint-Sulpice church in Paris.
Compositional Technique
The Te Deum, a hymn dating back to the Middle Ages, features a text of twenty-nine short verses, which Clérambault distributes freely, varying his writing to include complex counterpoint and introspective passages.
Composer Biography
Nicolas Clérambault, the composer, was the son of one of the king's Vingt-quatre Violons and learned violin from his father, Dominique.


















