
Colgrass: Winds of Nagual / Dvořák: Serenade / Gillingham: No Shadow of Turning
Featuring
Did you know?
1/7Compositional Technique
David Gillingham's No Shadow of Turning features optional hand-bells, as Lois Brock (in whose memory the piece was commissioned) was an avid handbell player.
Compositional Technique
In Michael Colgrass's Winds of Nagual, each character from Carlos Castaneda's fables has a musical theme, such as Don Juan's dark and ominous theme or Carlos's open and naive theme.
Recording & Production
This album features world premiere recordings of Antonín Dvořák's Serenade, Op. 22 (arranged by Russel C. Mikkelson) and David Gillingham's No Shadow of Turning.
Performer Biography
The Ohio State University Wind Symphony, conducted by Russel Mikkelson, is recognized as one of the country's elite wind bands and is committed to commissioning new music for winds.
Composition History
David Gillingham's No Shadow of Turning was commissioned by a consortium of organizations at the Ohio State University in memory of Lois Brock, the beloved secretary of the Ohio State University Bands.
Interpretation
The arrangement of Dvořák's Serenade, Op. 22 for wind band was inspired by his Serenade in D minor, Op. 44 for chamber winds, cello, and bass.
Composer's Artistic Vision
Michael Colgrass's Winds of Nagual was inspired by the writings of Carlos Castaneda and his experiences with a Yaqui Indian sorcerer named Don Juan Matisse.

















