
Contemporary And Medieval Vocal Music
Featuring
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1/7Recording & Production
Two motets were composed specifically for this recording, and most of the medieval works have been freshly edited or newly reconstructed.
Performer Biography
William Towers, a countertenor featured on this album, was a postgraduate scholar at the Royal Academy of Music and extensively featured as a soloist in Sir John Eliot Gardiner's Bach Cantata Pilgrimage.
Album & Artwork
This album celebrates the relationship between contemporary British choral music and medieval music, featuring new works inspired by medieval compositions.
Performer Biography
The Choir of Gonville & Caius College, Cambridge, directed by Dr. Geoffrey Webber, specializes in rediscovering forgotten choral repertoires, including previously unpublished music.
Historical Context
The use of medieval music as inspiration for English church music emerged in the second half of the 20th century, notably pioneered by Peter Maxwell Davies.
Cultural Impact
The increasing availability of medieval music through scholars like those of Polyphonic Music of the Fourteenth Century and recording artists like David Munrow's Early Music Consort of London, was a catalyst for a new trend in composition.
Recording & Production
This recording was made in the Lady Chapel of Ely Cathedral, a fine late-medieval building, to benefit from its spacious acoustics, which were important for plainsong and medieval part-music.
























