Dowland, originally a Protestant, converted to Catholicism during a stay in France, which led to him being refused a lutenist post at the English court in the 1580s.
Composition History
Dowland published his four 'Bookes of Songs' in a 'table' format, allowing various musicians to perform them, and left the choice of instruments open, suggesting performance with a bass viol or other instruments.
Composer Biography
John Dowland, the composer of the music on this album, was born in 1563 and died in 1626.
Interpretation
The performers on this album aimed to make Dowland's music speak, emphasizing word-painting and allowing for improvisation, rather than absolute precision, to evoke the emotional experience of 17th-century audiences.
Historical Context
During the Elizabethan period, melancholy was regarded as an illness, and many musicians, including Dowland, suffered from it, which allowed them to express their art deeply.
Composition History
Dowland only secured the coveted post of lutenist at the English court in 1612, under King James I, after Queen Elizabeth I's death and after publishing his 'Bookes of Songs' and 'Lachrimæ'.
Composer's Artistic Vision
Dowland's music is considered the 'bible' for lutenists and is described as incredibly modern even today, uniquely handling counterpoint rules.
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Lessons
Dowland, J.: Lute Music, Vol. 4 - The Queen's Galliard
