English music of the late Middle Ages, particularly from 1300-1400, was mainly handed down anonymously, unlike Continental polyphony where composers were often well known.
Interpretation
The vocal performance on this recording includes period embellishments such as the 'plica' and 'tremulando vox,' which were part of the vocal aesthetics of the time.
Compositional Technique
English polyphony of the 14th century was distinctive for its developed use of thirds and sixths, which were still considered dissonant on the Continent.
Historical Context
The Hundred Years' War and the English presence in French territories led to a mutual musical influence between England and the Continent, contributing to significant European musical developments.
Compositional Technique
Composers in Albion (England) were pioneers in using 'strange chromaticism,' employing extreme modulation techniques with altered notes like A flats, D flats, and G flats, which were only reluctantly used on the Continent later.
Compositional Technique
English polyphony was also influenced by French stylistic features, such as the isorhythmic principle, where each voice had its own individual text, commonly found in French motets.
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