
Frescobaldi, Gesualdo, Solbiati Music for Accordion
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1/7Compositional Technique
Frescobaldi's Toccatas and Partitas, works at the apex of his creative output, reconcile Ferrarese origins, Neapolitan experimentalism, Roman polyphony, and Flemish influences.
Compositional Technique
Solbiati's 'II Movimento' derives from a harmonic fragment of Carlo Gesualdo's music, based on descending chromatism, which Solbiati expanded into a series of loops.
Composer's Artistic Vision
The 'Second Practice', an artistic advancement from late 1500s Italy, aimed to engage the listener's feelings by adhering to the meaning of words and expressing a wide range of nuances.
Composition History
Alessandro Solbiati's 'II Movimento - da Gesualdo per Gesualdi' is dedicated to accordionist Francesco Gesualdi and their shared passion for early music, particularly that of Carlo Gesualdo.
Performer Biography
Francesco Gesualdi, the accordionist on this album, is known for his ability to produce sounds that conjure up the action and spaces underlying the music.
Interpretation
The accordion, with its two aerophonic manuals and bellows, is considered suitable for this music due to its ability to vary dynamic intensity and draw out intimacy and meditative qualities.
Composer Biography
Girolamo Frescobaldi, born in Ferrara, studied with Luzzasco Luzzaschi, one of the greatest organists of the age, to whom he felt indebted for life.

















