German music in the second half of the 17th century was characterized by a new expressive density, influenced by Italian sensuality and the 'stylus phantasticus'.
Recording & Production
The ensemble CordArte, founded in Cologne in 1998, focuses on 17th-century trio sonatas and is particularly interested in rarely performed repertoire.
Performer Biography
Hana Blažíková also plays the gothic harp and performs medieval programs, accompanying herself on the harp.
Historical Context
The use of women's voices in church music was generally taboo in the 17th century, though some nobility and municipal church musicians made exceptions.
Performer Biography
Soprano Hana Blažíková, born in Prague, is known for her Baroque interpretations and regularly performs with internationally renowned ensembles like Collegium Vocale Gent and Bach Collegium Japan.
Historical Context
In 1706, Johann Sebastian Bach, then 21, was documented for allowing an 'external maiden' to sing in the choir, possibly his cousin Maria Barbara Bach whom he later married.
Historical Context
The 'stylus phantasticus' in Baroque music involved alternating between freely rhapsodic, improvisatory monodies and sections of dense polyphonic counterpoint.
You might also enjoy...
Handel At Vauxhall, Vol. 2
English Country Dances - 17th Century Music from the Publications of John Playford
French Cantatas
Monteclair: Cantates a voix seule
Lorraine Hunt Lieberson at Emmanuel
Winter Journeys
Apocryphal Bach Masses
Markgräfin Wilhelmine Von Bayreuth: Cembalokonzert G-Moll und vier Arien aus Argenore
Gott der Herr ist Sonne und Schild
Cantate, Sonate, Ouverture: Instrumental and Vocal Music, Vol.2 (Graupner)
Bach: Magnificat in D Major & Unser Mund set voll Lachens
Jacquet De La Guerre, E.: Judith / Violin Sonata in D Minor / Le Sommeil D'Ulisse / Campra, A.: Le Lys Et La Rose (Cecilia's Circle)
Masek: Partitas / Concertino for Four Hands / Druschetzky: Keyboard Concerto
