Handel's collection of eight suites, an unusual number compared to the typical six, offers a dramatic journey through various passions, exploring the unique character of each key.
Recording & Production
The harpsichord used for this recording was tuned to a' = 422 Hz, a pitch level Handel was known to use in London, based on surviving tuning forks.
Historical Context
The composer Gottlieb Muffat (1690-1770) rewrote Handel's suites in 1735 to 'improve' them technically, indicating their problematic reception even in the 18th century.
Performer Biography
Richard Egarr, the harpsichordist, is known for directing from the keyboard and holds teaching positions at the Juilliard School and the Amsterdam Conservatorium.
Critical Reception
These suites have not been a staple of the keyboard repertoire, with few harpsichordists recording them, unlike J.S. Bach's keyboard suites.
Composition History
Handel's Eight 'Great' Suites for Keyboard, HWV 426-433, were first published in 1720 by London publisher John Cluer, marking Handel's first publication of keyboard pieces for the public.
Compositional Technique
Handel's keyboard style in these suites combines Italian virtuosity, French 'style brisé', and his own orchestral approach to the instrument.
