The final performance of Parnasso in festa during Handel's lifetime, on March 14, 1741, was a benefit for 'Decay'd Musicians or their Families,' with Handel donating the takings.
Compositional Technique
Parnasso in festa is largely a compilation of movements from Handel's earlier works, primarily his English oratorio Athalia, HWV 52, which had not yet been heard in London.
Notable Performances
The premiere of Parnasso in festa on March 13, 1734, was semi-staged, meaning it was performed in front of a single set with minimal stage action, and was attended by the King and Queen.
Composition History
Handel's Parnasso in festa, HWV 73, was composed for the wedding of Princess Anne and Prince William IV of Orange in London on March 14, 1734.
Performer Biography
La Cetra Barockorchester & Vokalensemble Basel, conducted by Andrea Marcon, is one of the few baroque ensembles worldwide to feature both an orchestra and a vocal ensemble.
Critical Reception
The serenata was well-received by the public, with The Daily Advertiser reporting that it contained "the most exquisite Harmony ever furnish'd from the Stage."
Composer's Artistic Vision
Handel included tragic mythological stories, like Apollo and Daphne and Orpheus and Eurydice, to create varied musical effects and to illustrate the virtue of constancy in love.
